Surrounded by burned-down orchards and people seemingly resigned to their fate, a young Palestinian man named Usama returns to his homeland after working in the Gulf for some years. Now an operative in the resistance movement, his mission is to blow up buses transporting Palestinian workers into Israel. Shocked to discover that, in his absence, many of his fellow countrymen have adjusted to life under Israeli military rule, Usama exchanges harsh words with friends and family. Despite feeling much uncertainty, he sets out to accomplish his objective … with disastrous consequences.

Wild Thorns is a chronicle of life in the Israeli-occupied West Bank. It is the first Arab novel to give a true picture of social and personal relations under occupation.

This award-winning novel is at once a recasting of the story of the Holy Family, an ode to Arab Jerusalem, and a call for liberation, not just of a nation but for the individual women and men who inhabit it. After abandoning his beloved Mariam when she becomes pregnant, and escaping her brothers' bullets, Ibrahim abandons his own ideals and dreams of becoming a novelist, opting instead to follow his father's wishes and seek wealth and commercial success abroad. Thirty years later, lonely and disillusioned, Ibrahim returns to Ramallah to retrace the past he tried to leave behind. He sets out on a long and frustrating quest to track down Mariam, which takes him from the West Bank to Israel. Along the way he encounters his son, Michael, a young man with spiritual powers that enable him to see what is unknown and find what has gone missing. Moving and lyrical, Khalifeh's novel weaves religious and political symbolism into a story of love and loss. At its core is Ibrahim's--the Palestinian's--agonizing but unrelenting search for a home.

In Bab Al-Saha, a quarter of Nablus, Palestine, sits a house of ill repute. In it lives Nuzha, a young woman ostracized from and shamed by her community. When the Intifada breaks out, Nuzha's abode unexpectedly becomes a sanctuary for those in the quarter: Hussam, an injured resistance fighter; Samar, a university researcher exploring the impact of the Intifada on women's lives; and Sitt Zakia, the pious midwife. In the furnace of conflict at the heart of the 1987 Intifada, notions of freedom, love, respectability, nationhood, the rights of women, and Palestinian identity--both among the reluctant residents of the house and the inhabitants of the quarter at large--will be melted and re-forged. Vividly recounted through the eyes of its female protagonists, Passage to the Plaza is a groundbreaking story that shatters the myth of a uniform gendered experience of conflict.

In The End of Spring, Sahar Khalifeh chronicles the struggle of the Palestinian people with a humane depiction of Palestinian resistance fighters during the 2002 siege of Yasir Arafat's official headquarters. Khalifeh's tender and moving portrayal of her protagonists delves into the inner consciences of the men and women and children who were involved in the actual resistance--or were simply caught in the middle. These characters come alive through Khalifeh's use of Palestinian colloquial diction, as does the setting, through her measured attention to the details of the natural surroundings in which the characters live, fight, and die. The End of Spring is a riveting novel that captures the reader's attention from beginning to end. It gives a heart and a face to the Palestinian struggle.